Chapter 8 - The Wolf from Manhattan

Vincent Rossi did not travel to Boston unless blood had been spilled or a kingdom was being divided.
He was seventy-two years old, the undisputed patriarch of the Five Families of New York, a man who had survived three congressional hearings, two car bombings, and four decades of federal surveillance without ever spending a single night inside a prison cell.
When I entered the grand parlor on the ground floor, Rossi was standing before the oil portrait of my father that hung above the fireplace. He wore a charcoal overcoat with an astrakhan collar, leaning on an ebony walking stick with a polished silver wolf’s head.
Behind him stood two massive men who looked like they had been forged from granite and bad intentions.
“Your father had that painted in 1984,” Rossi said without turning around, his gravelly voice echoing in the quiet room. “He paid twenty thousand dollars to an Italian master who came all the way from Naples. I told him he was wasting money. A photograph lasts longer.”
“Photographs fade, Vincent,” I replied, walking over to the sideboard and pouring two fingers of single-malt Scotch into a crystal tumbler. “Paintings remind people who built the house.”
Rossi turned slowly. His face was lined with deep, weathered creases, like dried leather, but his dark eyes were as sharp and predatory as an eagle’s.
“You made a lot of noise in Chelsea tonight, Nicholas,” Rossi said, accepting the glass I offered him. “Hector Alvarez was an idiot, but he was an idiot who moved forty million dollars of our freight through your harbor every quarter.”
“Hector Alvarez was a dog who bit his master,” I said coldly. “He murdered my brother. He attempted to murder the mother of my child. If he had lived until morning, I would have skinned him myself.”
Rossi took a slow sip of the Scotch, letting the amber liquid sit on his tongue before swallowing.
“Julian was a good boy,” Rossi conceded softly. “A bit soft for this life, but honorable. I’m not here to mourn Hector. I’m here to talk about what happens tomorrow.”
“Nothing happens tomorrow that concerns New York,” I stated.
“Everything concerns New York,” Rossi snapped, his voice dropping into steel. “The federal government has Hector’s ledgers. In those ledgers are names. Judges in Brooklyn. Port authorities in Newark. City councilmen in Manhattan. When the Department of Justice starts dropping indictments next week, the blast radius is going to level half the East Coast.”
Rossi stepped closer, the tip of his cane clicking sharply against the herringbone parquet floor.
“Marcus Vance won't protect you forever, Nicholas,” Rossi murmured. “He’s Helena’s brother today. Tomorrow, he’s a federal agent who wants a promotion to Deputy Director. And the only way he gets that promotion is by putting Nicholas Moretti in an orange jumpsuit.”
“Marcus has what he needs,” I said.
“No,” Rossi countered, a thin, ruthless smile touching his lips. “He has what you gave him. But there’s a second flash drive, Nicholas. The drive Hector kept in his safe deposit box at the Bank of New England. The one containing the original transfer signatures from fifteen years ago—with your father’s name on them. And yours.”
My jaw tightened.
“You want that drive,” I said.
“I need that drive burned,” Rossi said flatly. “Because if that drive goes to Washington, the Moretti family ceases to exist. Your shipping lines will be seized by the Treasury. Your bank accounts will be frozen. And your little girl and that sick boy will be wards of the state by Christmas.”
The threat was subtle, cloaked in aristocratic courtesy, but the venom was unmistakable.
“What is your proposal, Vincent?” I asked.
“Hand over the port terminals to New York,” Rossi said. “Sign the deep-water leases to my sons. We take the heat from the federal grand jury. We handle the lawyers, the payoffs, the fallout. You walk away with fifty million dollars, take that woman and those children, and buy a villa in Tuscany.”
“And if I refuse?”
May you like
Rossi set his glass down on the mahogany table with a quiet, final tap.
“Then the next men who come to this brownstone won't come to talk about old paintings, Nicholas. They will come for everything inside.”